Узор Хуэй является одним из декоративных традиционных китайских узоров, после долгого развития и тысячелетней истории он широко используется в современных классических декоративных узорах, существующих в нашей жизни вокруг. Исследование раскрывает не только историю, но и назначение и смысл узора спинки Хуэй, его значение для национальной китайской традиции. В начале узор находится в бронзе и керамике, но с течением времени его значение и использование переходит от артефактов до бытового повседневного уровня жизни современного Китая. За широким спектром трансформаций узора Хуэй, его богатством и красочностью, кроются изменения в культуре целого народа, содержащиеся в различных обычаях каждого периода развития китайского государства и выражающиеся в различных эстетиках времен. Художественный и культурный подтекст, стоящий за ними, – это то, что необходимо продолжать изучать.
The Hui pattern is one of the decorative traditional Chinese patterns, after a long development and a thousand-year history, it is widely used in modern classical decorative patterns that exist in our lives around. The study reveals not only the history, but also the purpose and meaning of the Hui back pattern, its significance for the national Chinese tradition. In the beginning, the pattern was found in bronze and ceramics, but over time, its meaning and use shifted from artifacts to the everyday everyday standard of living in modern China. Behind the wide range of transformations of the Hui pattern, its richness and colorfulness, there are changes in the culture of an entire nation, contained in various customs of each period of the development of the Chinese state and expressed in various aesthetics of the times. The artistic and cultural implications behind them are something that needs to be further explored.
The Hui pattern is one of the decorative traditional Chinese patterns, after a long development and a thousand-year history, it is widely used in modern classical decorative patterns that exist in our lives around. The study reveals not only the history, but also the purpose and meaning of the Hui back pattern, its significance for the national Chinese tradition. In the beginning, the pattern was found in bronze and ceramics, but over time, its meaning and use shifted from artifacts to the everyday everyday standard of living in modern China. Behind the wide range of transformations of the Hui pattern, its richness and colorfulness, there are changes in the culture of an entire nation, contained in various customs of each period of the development of the Chinese state and expressed in various aesthetics of the times. The artistic and cultural implications behind them are something that needs to be further explored.